Since the early days of Kara-Te instruction in the West, whatever recreation hall, school gymnasium or warehouse may have hosted the gathering was designated as the “dojo.” A Japanese word meaning “training or meditation hall.” Other terms, used by other arts, include dojang, kwoon, and temple. But, all represent the same principle, a place where students may come to learn.
The classic Shaolin Temple scenario, still possible today, is for the student to indenture himself to the monastic order, live on the grounds with no belongings other than those given, fed a handful of rice a day, and expected to perform manual labor for a few years to prove their stamina, patience and worthiness to be taught. Even then, they did not select which animal style or system they would learn nor to which master they would be apprenticed. All these decisions were made at a higher level.
The degrees, levels, and intricacies of this training are well documented in the Chinese film
36 Chambers of Kung Fu.
The stone path entranceway, for example, required the initiate to perform a specific and basic practice form so that his feet fell on precisely the
proper bricks. Stepping on any other stone than those known secretly to be safe, would trigger a flight of
arrows, darts, or similar missiles and sound an alarm to alert the monks inside of an intruder.
Inside, there were thirty-five separate rooms or chambers, each of which taught a specific boxing skill that had been found essential to proper
training and development of iron body, super strength and so on. One such chamber had the disciple stand between two horizontal sticks of incense while
his eyes followed a swinging pendulum. The rigid stance developed stamina, musculature, and will. The incense sticks made sure his head did not move
even a fraction from side to side. This exercise developed eyesight. “A boxer needs good vision.”
Other exercises included carrying huge pails of water with the arms outstretched or wearing an ox yoke, building walls by moving gigantic boulders
individually or in teams, and such like to build strength and endurance. And, “slapping water” out of a bucket to irrigate the garden, which developed a
handclap capable of knocking a man down with a single blow.
Upon graduation the monks entered the 36th Chamber. To pass through the last door and enter the final chamber to receive
the ultimate training the monk was asked to move a giant cauldron filled with molten metal and hot rocks. On either side, under the outward turning
lip of the bowl, were cast images of a dragon on the left and a tiger on the right. The only way to lift this barricade was by placing the inner
forearms on the red hot images and lifting with the legs to set it aside. Thus, branding the monk with the symbols of his monastic order. Only one
who had endured the harsh winters unclothed, who had eaten nothing for days to purify himself many times, who had the inner and outer strength to
perform this feat and endure the pain were considered true masters.
The door led to the world outside. It was the ultimate irony, the final jest. That those who had cloistered themselves
so long, often twenty years or more, who had withdrawn from the world to cultivate the secret life-force, were sent out to set an example for those
who had no concept of the magic and power that was possible with just a little knowledge.
In modern times, Shaolin training is still possible. But, the cost and the tremendous expense in time and effort are far
beyond the scope of most men. What usually passes for this experience is traveling to Japan or China or Thailand, or some other place where martial
arts schools are run by Asians, and study there, in a foreign language and often to the derision and amusement of the indigenous student population.
Donn Draeger, an American martial arts pioneer and some say the
model for the character frequently portrayed by Steven Seagal, was an ex-Marine who lived in Japan and studied the Way of the Empty Hand for many
years following WWII. He was the first Westerner to open a martial arts school in Japan, a testament to his skill and dedication. But, even that
decade of difficult and often brutal training in the Japanese version of the Shaolin Temple, the Dojo, to earn respect and gain ability is more than
most people are willing to endure.
Nor must one take part in such a severe and arduous regimen to be qualified in self-defense. To be a master, yes. But, to
be a competent martial artist, a Black Belt, the extreme level of dedication and perseverance found in the Temple experience is no longer required.
Especially considering that the final “test” is to live in the real world.
That, after all is the real test. To awaken each day and find the joy of living when surrounded by greed, avarice, envy,
lust, even savagery. To set a good example of how civilized people, people who are empowered and know their own self worth, should behave. That is the
spirit of knighthood and nobility that one finds in study of the martial arts. Then too, the lessons taught by the Shaolin, loyalty, honor, respect,
dignity, humility, courage, all of these and more are also learned in the real world. Sometimes in circumstances equally dramatic or traumatic and
severe as those of the temple. We all learn them with time.
Thus, life is the real training hall and we give credit for all that is learned both in class and through experience.
We have had many people who wanted to come and live and work and train in the Ninja Temple. We have tried many times to
establish such a permanent base where we could house our cadre or visiting martial artists and accommodate all styles and systems. But, it is not to be.
We have had many schools and still have many affiliates who fly our banner and will have more that come and go in their turn in the days to come.
Because the martial arts are dynamic, always changing, always growing and improving and keeping alive the traditions of past masters. They cannot be
limited to one rigid fortress. To even establish such a fortress is to invite a siege. In fact, the Shaolin temples at Shantung and Honan have been
destroyed and rebuilt many times.
Many religions, and martial arts have religiosity if not religion, teach that the body is the vessel, the “temple” of the
spirit. And we have shown that the world is but a macrocosm of that miniature universe. Thus, our temple is the world, and we are the sages and priests
and boxers who define and defend it.
To this end we have established the DOJO-Academy of Martial Arts,
so that all may participate and contribute according to their ability and inclination. The Great Work is sharing this knowledge with others. If you
would like to participate, take up the cause and do your part. If you would like to contribute to the continuation of this Work, to the building of
our universal temple for all to share, donate here.